The Pain of Sorting

If you ever photographed an airshow or sporting event, you know just how fast you can shoot through a thousand images. After a two-day event, you can easily shoot over 10,000 images. And it can be a bit overwhelming trying to sort through them all and finding the ones you want to share. After years of shooting, I have come up with a system of sorting that helps me find the images I want to share. There’s no right or wrong way to sort your images. This is just what I have learned that works well for me. And this may or may not work for you. With that being said, this is how I cope with the pain of sorting.

To start, it would be good to know what you are trying to share and for what platform.  Are they for your personal website, an online forum, Instagram, Facebook or maybe a yearly photo book? For this situation, I want my images to show the overall feeling of the TICO show on my blog. So, I want to limit the post to 50 images. The first step is to copy all the images from the show and place them in a separate folder. I never play/sort/edit the original files. My system is quite simple, it is looking at all my images from a show and in a series of rounds deleting poor images until I get to my set number.  

Yes, I have seen every photo I have shot from all the airshows and aviation events I’ve attended. Easily well over 250,000 images. You do not know what you got until you have seen it. It is exciting when you stumble upon something unexpected. I could not imagine creating images and not looking at them. This is not a process to speed up sorting. But it is a system to find the most visually pleasing images of an event that you want to share.

I am a Window user, so I use ImageGlass to view and delete unwanted photos. I find the copied folder and open the first image and start sorting. Hit the next button if it is a keeper and, Trash bin if it’s junk. The first round of images to be deleted are out of focus and soft images. Along with images that the aircraft is blocked by something. Hats, heads, antenna, speakers, airshow smoke, other aircraft. And images that part(s) of the aircraft are cut off. Missing noses, tails, wings, horizontal stabilizers…  

For the TICO show, I shot just over 7,900 images over 3 days on 2 bodies. And after the first round, I’m down to about 3500 images. The next round of deletions are images where the subject(s) are too small for my taste.

Tiny Subjects

Also in this round, if the sky has clouds (not overcast but a few here and there) as TICO did on Friday and Saturday. Those images are preferred over ones with a clear blue sky. I feel clouds adds visual appeal and a sense of location. This round is purely subjective, but I love showing clouds.

A new thing I’ll been working on is to blur the clouds by shooting a lower shutter speed than normal. It’s difficult to do but it makes your subject really stand out along with adds a sense of speed. Here’s a few examples.

In the next round, undesirable photos are deleted. Images such as belly shots, images where the wing is blocking the canopy, and what I’m calling “going away” shots. Starting with belly photos, I feel looking at the belly of an aircraft makes for a boring and uninteresting photo. Unless there is something of interest such as ordinance, open weapons bays or if your lucky, firing flares. An easy way to go about it is to ask yourself this question, “Why are my viewers going to look at this?” If you don’t have an answer, it goes in the bin. Next are images where the wing of the plane is blocking the view of the canopy. It’s an odd situation that happens soon after an aircraft passes in front of you and starts to head away. Its more noticeable with smaller low wing aircraft. I reject these images if I already have one showing the cockpit. And finally, “going away” photos. There are along the same lines of belly shots. An image where your subject is going away from you and has no visual appeal. But some “going away” images are cool. For example, photos with afterburner blazing and or vapor of some sort.  

Now I am down to about 250 images. In this round, it is time to get rid of the duplicate images that look the same but are shot on different days. There is no reason to show multiple images of the same aircraft especially at similar angles. This is harder to do if the weather is similar during the duration of an event. Sunday the weather crapped out and made this round of deletions much easier. There are very few Sunday images that made to cut. Here are two sets of duplicate shots, the first one is from Saturday’s show and the second is from Sunday. The Saturday image is clearly has better light. At the end of this round, my image counts is down to 100-120.

On to the final and hardest round. Weeding them down to 50. This is where it is important to know what you’re trying to show. To pick the right images that properly captures what you’re trying to convey. What helps me here is a series of questions that guides me to choose the most visually appealing images. What makes this image better than the others? Is there some element of design such as line, color, composition or symmetry incorporated into the photo? Which image has the cleanest/least distracting background? And which photo has the better exposure? With the last major huddle cleared, I now have my batch of visually appealing photos I want to share. But now come the Importance of Post Process. Which should not be a major chore. Nor do I want to spend an extraordinary amount of time in post either.

The less time I spend in post, the sooner I can upload and share my images. This system of sorting can work for any genre of photography. Again, this process is to help find the most visually pleasing images possible, and I hope it can help you with your sorting. Here’s a link to my final set of images from the TICO show.

Until next post,

Steven

BE SURE TO CHECK OUT

Philosophy about Photography Part Three: The Importance of Post Process

Using up my Bag of Tricks

Show 6, post 1: Northern Illinois Airshow

On September 9th, I drove over to Waukegan for the Northern Illinois airshow. The home show for Warbird Heritage foundation. I meet up with my good friend and fellow photographer, Rob Wetterholt. It was a great little show with a nice line up of performers along with a well laid out static display. I set out to try again to capture a sense of motion while shooting jets. The weather forecast called for partly cloudy skies in the morning and clearing skies as the day went on. By the time things started flying, the sky was clear and blue. I was a little disappointed about not getting the opportunity to try to do some cloud blurring but it’s Mother Nature, what are you going to do? For this show, I rented the Canon 5DSR again and my old friend, the 400mm F/5.6L. Canon’s 400mm F/5.6L is a hidden gem of a lenses. I bought the 100-400mm MKI and the 400 5.6 at the same time. After shooting both lenses, I was turned off by the softness of the 100-400 and sold it. I shoot the 400 5.6 for years and absolutely fell in love with its clarity and sharpness. Before I sold it and got my 500mm F/4.5, I got comfortable shooting it slow. Like 1/80th for takeoff/landing and 1/160th for flying and getting good constant results. The 400 5.6 is not a low light lenses and does not has image stabilization. But what it is, an amazing light weight sunny day lenses that is easy to shoot handheld. In ideal shooting condition, it’s a joy to shoot. I had my 500mm for about 2 years now and still growing into it. But after returning to the 400 5.6, I’m strongly considering getting it again. I had no problem with shooting it slow again.

Which leads me into the title of this post, Using up my Bag of Tricks”. After shooting for some time, I have gathered a few techniques that I like to use to help capture images that I see. These are not anything that I myself have come up with but things I use to try to make my images stand out from others. While shooting at the Northern Illinois Airshow, I got the chance to use all my bag of tricks. Which does not happen too often. This post I’m going to share with you my small but slowly growing bag of tricks.

show opening for phone

Shooting slow to get a sense of motion and speed

This is the hardest of my tricks and I’m still trying to master it. It is my favorite way to isolate a subject. With the background blurred out and the subject tack sharp, the result is an image that shows a great sense of speed and motion. Here’s the thing about panning, it is the same if you’re panning an aircraft in flight, a person riding a bike or a race car on the track. Panning is panning, subject does not matter. What does matter is finding a stance and motion that YOU are comfortable with while panning. It is not the same for everybody, what works well for me may not work for you. This may sound dumb but holding your gear properly is a big factor too. While shooting, you HAVE to be stable and smooth while panning. Shooting a telephoto lenses handheld and at a low shutter speed is not easy but with practice, you can master it. Two important things I want to mention. First, whatever lenses you are using, keep your fingers away from the manual focusing ring while shooting. It does not matter if your using auto focus or any other type of focusing, if you turn the manual focusing ring while shooting, it will override any other focusing type resulting in soft and or out of focus images. And second, use a single auto focus point along with continuous tracking and shooting while panning. Do not use all auto focus points along with continuous tracking and shooting while panning. You’re going to confuse the shit out of your camera and will result in soft and out of focus images.

With the 400 5.6, I shot takeoffs/landings from 1/80th to 1/100th. Shoot flying subject slow depended on the background to show a sense of motion. During the show, the sky was clear blue and was no reason to shoot slow. But one the Hoppers, flying L-39s did do a very low flat pass that on the bottom of the frame has some blurred tree tops. It is not the sharpest image but you get the idea.

Waukegan17_0582

I went down to 1/30th (5DSR/400 5.6) on the Skyraider “Bad News” to get a full ark of the propeller as it taxies back to the hot ramp.

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Shooting Low

Or I like to call it, “Doing the Alligator”. Laying on the ground with the camera at ground level, shooting up at your subject. The main problem I have with doing this technique is have a clean and unclutter background. Which at most airshows and aviation events is hard to come by. I have seen this type of shot done with wide angle lenses but I like using something with a bit more reach. Along with, I like to drop the horizon as low as I can and show very little of the ground. Giving the subject a proud stance and a strong presence in the frame. It’s fun to do on a grass field too, shooting through the weeds. You can also use this technique to shoot under airshow fences like this shot from Plames of Fame. Just be careful and mindful of your surroundings. People can and will walk on top of you and your gear.

Waukegan17_2245

Shooting High

Getting up and shooting down on your subjects is something I would like to do more often. There are many ways to do so. Many shows and events have portable stairs alongside aircraft so you can take a peek inside the cockpit, it’s a great location to shoot surrounding aircraft from up high. Another way to photograph aircraft from a higher location is to use a monopod, live view mode and self-timer. I add this technique to my bag of tricks last year at the Planes of Fame show. With my Canon 70D and 70-200mm, I extended all the sections on my monopod, switch to live viewing so I can see what the camera is looking at on the view screen, angled the tile screen down so when I raise the monopod up I can see what I’m trying to shoot. With the camera auto focus drive switched to self-timer 10 secs and in aperture priority @ F/4 to have a high enough shutter speed to not worry about camera shake when the camera is up in the air. Depress the shutter button to start the timer, holding the bottom of the monopod, quickly raise the camera up where I want to shoot. Looking up at the view screen tiled down, compose the shot, hold everything steady and wait for the timer to end. Lower the camera and check the results. It takes some time getting used to but well worth the effort.

Tiling the frame

This is by far the simplest trick in my bag and probably the most controversial. I have found that other either love it or hate it. I love it. I feel it adds visual interest to the subject and maybe some attitude as well. You can also combine this technique with others for even more visual interest.

Trick no# 4?

My newest trick I added to my bag I really don’t know what to call it. It’s showing an aircraft in a series of images. Each image can stand alone but place side by side, you can visualize the whole aircraft. I unconsciously started doing it at the Selfridge show. Just another way for me look at things differently and to see new images. This is something I’m going play with, nurture and make more my own.

Along with the elements of design and my mind’s eye, I feel confident I can capture images unique to me.

To view larger images, click on thumbnails

Waukegan17_1778

Until next post,

Steven

My Selfridge Experiment

Show 5, post 1: Pre-show thoughts on Selfridge ANGB Open House & Air Show

During my time at EAA AirVenture, while talking to many aviation photographers, one thing kept popping up in conversations. Prop blur and how getting a full arc was the “Holy Grail”.

full arc with Doc

Frozen props looks unnatural. When we look at a propeller driven aircraft with its engine running or in flight, we see the propeller spinning. It’s basic photography, creating an image of what we see i.e. prop blur. But on the flip side of aviation photography, it’s acceptable to totally freeze jet aircraft in flight.

stopped raptor

Why is that? Why don’t we try to show a sense of motion when it comes to shooting jets? Is it because we think it’s hard? It can be done. Here’s two example I shot @1/160th. Both using my 7D MKII but the F/A-18 Hornet was shot with a 200-400mm F/4 with 1.4X extender IS (Image Stabilization) which was off, USM (Ultrasonic Motor). And the F-100 was shot with my 500mm F/4.5L USM, which doesn’t have IS.

slow hornetslow hun

Both you can see a sense of motion but I want to go farther with it. So, Selfridge open house is coming up this weekend and there will be quite a few jets flying there. My personal challenge is to show more motion while shooting jets. This can only work if there are some clouds in the sky to blur. Not too many and not too few. Blurring a clear blue sky is pointless along with straight overcast. I’ll be using a Canon 5DSR from lenRental.com and my 500mm F/4.5L. My plan is to shoot in shutter priority starting @ 1/160th and go down to 1/100th. I may underexposure 1/3th stop to prevent blowing out any highlights. My keeper rate is going to go to shit but all I need is one. The idea of this scares me but I think I can do it if the conditions are right.

Until later,

Steven

Blog Update

I know it’s been a while since I posted anything new. I try to post something at least once a week but life tends to get in the way. I do have a few things I want to share with you. I started an Instagram account and will try to share sometime there once a day. I got a few pics from my latest adventure there, 2017 EAA Airventure at Oshkosh. Check it out @ https://www.instagram.com/anadventureinawesome/ . I’m currently working on “Show 4, Post 2” and it should be posted soon.  Finally, I added a new page, “Healthy Photo Practices” .  A list of things I have learned that helps my photography.