Stay informed and keep your mental health: How I watch the News

If being in quarantine wasn’t bad enough, watching the news can be depressing, stressful and can lead to anxiety and unnecessary worry. It doesn’t have to be that way. During my time in quarantine, I came up with a simple system that kept me informed and I was able to maintain good mental health. Got to throw out a disclaimer: I am not a mental health professional, nor do I have any training in mental health. This is just something that I came up with and help me cope with the media and not feel horrible the rest of the day. Here’s how I stayed informed and not have the news damage my peace and calm.

  • Don’t start or end your day with the news. It’s too easy to wake up, grab the phone and start scrolling. And before you know it, you’ll come across something troubling and disturbing. Don’t start your day off with negative thoughts and feelings. Get up, take care of yourself and your loved ones. Take a shower, brush your teeth, do your hair, fix some breakfast and start your day. And the same goes for when you’re about to go to bed. Shower (with music if you can), get into something comfortable, again take care of yourself and family before going to bed. Don’t end your day with thoughts of the news.
  • Give yourself a time frame when you’re going to consume the news. It can be 11:30 am, 1:30 pm or whenever. The time frame I give myself is around noon. So, if I get upset or disturbed, there’s still the rest of the day to digest and cope with it. Also, by this time my friends and family are up and available if I feel the need to talk to someone. Give yourself a limited amount of time to read or watch the news. I normally give myself about 30 to 35 minutes. Try to keep it under an hour. The next step is key.
  • If you start to read yesterday’s news, stop and continue with your day. If you find you’re reading regurgitated news from yesterday, stop and go back to whatever you were doing before you began reading. It’s that easy. Nothing good will come from reliving yesterday’s news today. You can’t be afraid of missing something major. If something does happen, trust me, you will find out about it. Someone will call or text you, “Did you see or hear about…” When your time frame is up, continue with your day and don’t go back and check the news until tomorrow.
  • Don’t get your news from social media! Hopefully you all know not to get any of your news from any social media platform. Facebook, Instagram, Twitter and Reddit are not trustworthy or accredited news sources. All can and has been manipulated to spread lies and misinformation. Check out “Smarter Everyday” playlist on Social Media Manipulation for more information. The struggle is real. And while you’re on social media, if you see something news related, let it go and keep scrolling. It’s easier said than done. Just don’t get caught up with clickbait.

This system takes discipline, but it gets easier when you start to notice the difference in your level of anxiety. You don’t have to be plugged in all the time and to be reminded of how shitty the world is every 5 minutes. You got to keep yourself occupied and your mind off what’s going on in the world. If you’re struggling with that, check out my post Bored and in Lock-down? How to keep yourself occupied. It may help you come up with ideas to stay focused and active.

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My system is not foolproof, and it may not work for you. Nor am I telling you to not watch the news. The idea behind it is to stay informed but limits how much and how often you consume the news. Again, this is just something that has help me tremendously with staying informed without losing my peace and calm. I can say with confidence it’s because of this, I’ve been more productive and have been able to put more energy into being creative. Likewise, my thinking has been more balance and not full of worry and negative thoughts. And has had more constructive and inspired days in quarantine than wasted and negative ones. So, how do you manage your consumption of the news and stay sane? Let me know in the comment section below. And feel free to share this with anyone you feel would benefit from it.

 

Mask up, stay safe and keep busy!

Steven

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Common mistakes made in Aviation Photography

I like to shine a spotlight on some common mistakes I’ve made in the pass along with countless others who love photographing aircraft. Mistakes if left unchecked, can turn into bad habits and poor processes. There are four common errors I want to discuss that deals with aviation photography, but the same infractions can be seen in other genres of photography as well.

The first is pure black shadows. The undersides of wings, tailplanes and anywhere that falls into shadow. If your image were shot in early morning or late afternoon, most likely your shadows will be extremely dark. It’s those images shot mid-day with shadows that are as dark as night that I want to address. Here’s the thing, shadows are darker tones not pure black. Don’t believe me, go outside and take a look. So, why does this happen? One of two reasons. Either it’s a result of poor exposure or bad post processing. You the photographer, should understand how your camera exposes an image and know how to properly adjust your settings to get the correct exposure. If you use Lightroom, Photoshop, Elements or whatever… You should have a good understanding on how to correct and adjust exposure in your software. I can’t stress this enough, Google and YouTube are your know it all friends. Take advantage and learn from them.

The freezing of propellers on aircraft and rotors on helicopters is the next issue. When you freeze the rotors on a helicopter or the prop on a plane, you end up with a very silly-looking image. As if they’re floating motionless about to fall out of the sky. It’s an easy mistake to make and can be challenging to overcome. It’s a result of having your shutter speed too fast. And it goes against that saying of having your shutter speed be at least your focal length. Meaning, if you’re shooting with a 400mm lens, your shutter speed should be at least 1/400th of a second. Even at 1/400th it’s just barely enough to blur a prop and will still freeze a main rotor. Here’s a technique that I’ve used with a fair degree of success. I’ll start shooting around 1/320th of a second and after each pass of an aircraft, I’ll lower my shutter speed. Shoot and chimp to see if it’s sharp. If it is, I’ll either go slower or stay where I’m at. And if the image is blurry and out of focus, I’ll crank up the shutter. Getting rotor blur on helicopters is much more difficult. They spin much slower than props. This means you’re going to need to lower the shutter speed even lower. I’m not going to try and make it sound easy. Because handholding and shooting a large telephoto lenses at slow shutter speeds is not. But with time and practice, you can and will find the shutter speed range you’re comfortable with.

Next, let’s discuss poor composition. Not talking about images of flying aircraft. Which is heavily influenced by what auto-focus point you have selected. I’m talking about images of aircraft on the ground. Placing your subject dead center of the frame is not only boring, but it’s also less appealing than a well-composed image. An overlooked aspect of composition is foreground and background. Having them cluttered or distracting can take attention away from your subject. I feel the biggest accomplice to poor composition is being in a hurry to “Get the shot” and not thinking about what’s visually interesting and how you want to show it.

Therefore, I feel every photographer should nurture their creative eye as much as possible along with develop some type of shooting routine. To understand what makes an image “Pop”, how to draw your viewers eye deeper into your image and to connect with them. It’s always good to have somewhat of an idea of what you want to shoot before heading out to an event. Just knowing what it is your trying to capture is a start to having a routine. And it’s part of mine. Once I’ve an idea of what I’m trying to capture, I then try to find the edges of the frame that is catching my eye. I then compose my image, shoot and review. If I’m not pleased with the way it turned out, I then recompose, shoot and review until I’m satisfied. There will be situations where you will not have enough time to go through your routine. But if you have one and you practice it enough. When the time comes, you’ll be ready and be able to quickly go through the motions of your routine to capture the moment.

Good Composition

Finally, is the poorly sorting of images you’re sharing. Showing 7-8 slightly different images of the same aircraft is a quick way to lose your viewers’ attention. If it’s your personal website, Facebook or Instagram. You should be able to find the best images of what it is that you want to share with your audience. Coming up with a sorting process will help you find the right images to show. Having some sort of process and the discipline to follow it is key. Here’s a link to my process that I’ve been using successfully for years, “The Pain of Sorting”.

With a better understanding of exposure, a newfound confidence in panning, some experience with composition along with knowing how to find the images that best express what you want to show, your photography will continue to grow.

Until next time,

Steven

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A Study in Color

Years ago, for my birthday I got myself at the time was Canon’s new 7D. And was itching to play with it. My plan was simple. Set up a subject, take a shot and change the background. All the while, getting familiar with functions of my new camera. I went out and bought two small bouquets of flowers along with five sheets of different color of art paper for backgrounds. Looking back, this exercise taught me more than the functions of my new 7D. It showed me how colors effect the mood of an image. Along with the importance of composition and spacing.

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The exercise is easy to set up. Here’s a list of needed things.

  • A camera with a shutter release and a tripod. You can use the timer if you do not have a shutter release.
  • A table for your subject. Along with a vase or something to hold your flowers up right.
  • Colored paper. Any non glossy color paper will do. I used Canson Colorline art paper because it’s inexpensive and large enough to use as a background. You can find it at most arts & crafts stores. Also, tape to hold up them in place while shooting. If you want to have a black background, I suggest using a piece of felt cloth.
  • Flowers. I just picked up whatever was in season at the local grocery store. Get whatever catches your eye. But be sure to pick out the healthy-looking flowers you can afford. As you don’t want to have to heal damage petals and leaves in Photoshop.

Me being a natural light shooter. I set up my exercise inline with a window to the outside. Not next to it yet far enough to softly light my subjects. Set up your selected colorful little beauty closer to your camera then the background. Now, take a few test shots to narrow down your depth of field to just your subject. For now, don’t worry about composing the shot. With your depth of field just covering your subject, this will make your background read as solid color.

With your scene set up, it’s time for the fun to begin! Carefully compose your image and take the shot. Be sure not to disturb your scene, change out your background and re-shoot. Repeat and rinse until you have gone through your backgrounds. You will see what works well and what doesn’t. Along with how a simple color swap can alter the mood of an image. Explore some different yet interesting compositions. Don’t hold back. Switch it up, play around and have fun. This can easily be a lock-down project for photographers who want to keep their skills sharp and honed.

Stay safe and busy,

Steven

The Importance of Post Process

Now that you have managed to sort through your images, it’s time to start Post Process. This is where you can refine your images to what you envision. It has been around as long as photography itself. Getting rid of spots and blemishes, leveling the image, adjusting the exposure along with dodging and burning in details. Photographers still do it today; it is mostly done in software and not in the darkroom. With the explosion of digital photography, having a post-process routine is essential. Here are a few suggested practices as a base to a post-process routine.

Basic Post practices

  • Know your Post Processing software! If you’re using Photoshop, Lightroom, Elements, or whatever. You should know how to use it properly. How to import and export images, to have a basic understanding of the tools, how to adjust the exposure, and the list goes on and on. I’ve said it before, YouTube is your know-it-all friend.
  • Removing dust spots. You got a dirty sensor, and it shows. Clone out all those little distractions, they’re taking attention away from your subject.
  • Level your image. If you intended the horizon to be level and it’s not….it draws your viewers’ eyes away from what you are trying to show. With an unintentionally tilted horizon, it can give the illusion that everything in your photo is going to slide out of the frame.
  • Adjusting exposure. I can’t stress how important it is to understand how your camera exposes objects in different lighting conditions. And you can adjust for it “in camera” and adjust in post.
  • Resizing and sharpening. Whatever platform you’re sharing on, you should resize your images before posting them. After you have your resized images, you’ll want to do a tad bit of sharpening to them. You just want to sharpen up the details soften from resizing.

These are just a few basic examples of post-processing techniques. There are far more advanced and complicated methods.

Until next post,

Steven

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