airshow – Page 3 – An Adventure in Awesome

EAA AIRVENTURE OSHKOSH

Show 4, Post 2, Part 3: Saturday and Sunday

Day 4 at EAA Oshkosh

Saturday morning in the kitchen, Vincent and Chuck were eating breakfast and talking about Vincent’s P-51 Mustang Ride he got the day before. After a while the rest of the house had awoken and made their way into the kitchen. We all figured out what we were going to do for the daily events. It being Saturday, means there is a night show after the daily show. Vincent and Peter were planning on staying for the night show, so they drove over together. Bonnie, Scott and I were planning to meet up with Craig, Gary and Gary in warbird alley. There we were to try to find some re-enactors to pose for the group around warbirds. Larry was going drop Scott and I off in warbird alley and we were going to meet back with him later.

Down in warbird alley, we found Ryan and Steven, two great guys willing to pose for us. After Ryan was all suited up, we made our way over to Eric Hollingsworth’s P-40 Warhawk. It quickly became clear that this was not the first time Ryan, Steven and Gary Daniel has done a photo shoot like this. Ryan and Steven both were great, patient, took suggestions as well as suggested ideas. Gary Daniels too was just as great, he did a wonderful job with Ryan and Steven fine tuning their positions as well as asking the group how we felt. Everybody was very respectful of each other and our surrounding, we played very well with each other. After we felt we had enough of the P-40, we moved on to Jack Larson’s P-51 Sierra Sue II. There we continue the same routine of position, shoot, experiment, reshoot, all the while being mindful of others and we were starting to draw a crowd! For me, that shoot was the most memorable experience during my 2017 trip to Oshkosh.

After that charged shooting session, Gary Daniel, Scott Slingsby and I, slowed down and get a bite to eat. From there Scott and I made our way over the vintage area to see one of the award-winning aircraft.

We met up with Larry at the media center, where he got Scott and I a better shooting location in the VIP area. Which was far less crowded than the rest of the show line.

Saturday’s airshow was a special for aviation enthusiasts. We got to see all the iconic WWII bombers we all love. Flying in formations that has not been seen in well over 60 years, with Fifi and Doc, the last two flying B-29s. This was Doc’s first time at Airventure after a meticulous 16-year restoration. Which was followed by a parade of bombers with 2 B-29 Superfortresses, 4 B-25 Mitchells and a B-17s.

Then the USAF brought all 3 of its heavy hitters together in a rare formation. Leading the pack was the sleek B-2. On one side was the aging B-52 soldiering on with over 50 years of service. And on the other, was the B-1. Also known as the Bone (B-one), looks like it feared the B-2 by how far out of the formation he was. But oh well….

Each of the bombers performed various passes. It was refreshing to see the B-2 do a photo pass. Here’s a little fact about the B-52 that performed at AirVenture, B-52 number 61-0007 was brought back into service after sitting in the Bone yard for 7 years.

2017 marks the first time the USN Blue Angels flight demonstrate team perform at AirVenture. I have seen the Blues many time and there are always entertaining as well as very photogenic in the afternoon light at Oshkosh.

The finale of the show was again the USAF Heritage flight. The F-35 lead two P-51 Mustangs on its wings and an A-10 Thunderbolt II in the slot position.

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Making our way to the media center, I realized just how many people were here. During the week, the crowd was not so big, which is understandable. But come the weekend, everywhere you looked there was a sea of bodies. With the number of people there and how traffic was going to be after the night show along with there were no jets flying in the night show, we decided to head back to the house.

Back at the house, it was time to dump cards, find something to eat and prepare for the morning like we did all week long. But Saturday night was a little different, it was the end of the weekly grind. Most of the members in the house was leaving tomorrow and heading home. Scott packed up, said his goodbyes to everybody and was off to Milwaukee to catch his flight home in the morning. I think everybody went to bed early, but Peter and Vincent stayed for the night show and returned late.

Sunday, Last day at Oshkosh

Time to put the House the way we got it. Making beds, cleaning dishes as well as packing up our clothes and gear. We all said our goodbyes and exchanged information. With everybody’s car packed and the house locked up, we took a quick group selfie and we all parted ways. On the drive home, I reflected on my experiences from the past week and begin to process the whole trip. My takeaway from EAA AirVenture is that it’s a photo grind. I mean that in a good way. The repetition of each day but still looking to do things differently from the day before. Trying to contain the feeling of being overwhelmed by enormous amount of aviation stuff and yet stay focused on my task. AirVenture is something I know my photography cannot do if justice. It is something every aviation and photography nerd must experience at least once.

If you missed it, here’s

Part 1…https://anadventureinawesome.com/2017/08/12/eaa-airventure-oshkosh-2/

Part 2…https://anadventureinawesome.com/2017/08/16/eaa-airventure-oshkosh-3/

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Until next time,

Steven

Wings Over Houston 2017

Show 7, Post 1: Season Finale!

So, here we are at my final show of the 2017 season. Wings Over Houston. This will be my third time attending and its good end the season with a show that offers a good mix of warbirds and modern aircraft. To continue to get out of my comfort zone, I changed the way I’m going to write this post. I started writing more in the moment and at the end of the day verses waiting until I got home. While the day’s events are still fresh in my head and making it easier and faster to post my adventures. But being busy at work and at home, still delayed this post. I’m still trying to figure out what work well for me when it comes to this. Here goes…

Friday

After a long and exhausting week at work, I get to be a photographer again if only for a short time. After work, I raced home, showered, finished packing and it was off to Detroit Metro Airport to catch my flights down to Houston. Afternoon traffic was slow and a bit frustrating. But I took comfort in the fact I get to get out of Michigan and do what I love.

Through the TSA, which is more a pain in the ass than anything else. Sitting at my gate, writing and watching the sunset. The trip just started but still have a long was to go to get to Houston. Got a layover in Dallas/Fort Worth. Never been there and should there for about an hour. Just enough time to find my gate and look for a bite to eat.

I started watching the weather down in Houston on Thursday. As of now, Friday at 6:41pm looks like the rain has stopped and Saturday looks like the better day of the two days of the show. There is chance of rain Sunday morning but just going to play it by ear. Hoping to get some low puffy clouds this weekend so I can shoot slow and add some drama to the background. My attraction to Wings Over Houston(WOH) is for years now I wanted to see a USAF Heritage flight with a P-47 Thunderbolt and an A-10 Thunderbolt II, a Thunderbolt heritage flight. Well this year at WOH, it is scheduled to happen. I am also looking forward to seeing the Colling Foundation F-4D Phantom II, the world’s only privately owned and operated Phantom. It has been down for a few years due to various reasons. It is supposed to take part in the Vietnam reenactment portion of the show along with the Collings F-100F Super Sabra and TA-4J Skyhawk. I again rented the Canon 5DSR as my primary body and the 100-400 MKII for formation work from Len Rental.com. Time to board…

While on the flight to Dallas/Fort Worth, I had some time to unwind and clear my thoughts. There are few things in my life I can’t explain why I love them so much. One of them is listening to music and staring out the window of an airplane. It brings me a level of peace and clarity I rarely find that clears my mind, body and soul. Looking down on our planet and up to the endless sky, how small I feel. Very humbling feeling.

Oh Yeah! while in Dallas/Fort Worth, I saw the B-17 “Sally B” and a third B-29!

Well, after 8 hours at work, 6 and half hours of traveling over 1300 miles on 2 flights, I made it safe, sound and tired to Houston. Time to sleep!!!!

Saturday

Woke up refreshed after a long Friday. Straight to the window to see what Mother Nature is doing. Blues skies along with a few clouds. With Sunday s weather being questionable, I’ll shoot more in my “safe zone” to ensure getting good captures. And Sunday if the weather gets better, I’ll shoot slower. But the forecast for Sunday morning is thunderstorms and clearing by mid-afternoon.

At the show, I run into one of airshow buddies, Steve Savino. It happens to be front of his favorite type of WWII fighter, the P-47 Thunderbolt. I meet Steve on a flight from San Francisco to Ontario, California on my way to the Planes of Fame airshow back in 2015. We talked and walked about the ramp, shooting as we go. We made plans for the gang to go to dinner after the show. He was shooting from the “Photo pit” and I like to be mobile, so we parted and would meet up later.

The show had it’s “The good, The bad and The ugly”.

The Good

The light! The light! Omg, the light! Yeah, it sucks in the morning but once the sun crosses the runway, it just gets better and better. Let’s not forget about the clouds as well. I love having clouds in the background. The Colling Foundation F-4D along with they’re F-100F in the hot ramp. The Vietnam War Flight Museum MiG-21 and their A-26 that I had never seen before, silver with black accent on the engine nacelles as well as the on the wings. There was one of Jerry Conley de Havilland DH-115 Vampires on the ramp too. There was a pair of F-15 Eagles from the 159th Fighter Wing, the “Bayou Militia”. They came over on Saturday and tore up the pattern before heading home. I also ran into Will Ward, pilot and MiG owner who I had not seen in years. Was good to see and talk to him. Very cool guy!

The Bad

For Saturdays show, the MiG-21 or the Colling F-100F did not fly in the show for whatever reasons. Along with anything from Texas Flying Legends. Even thou I enjoy them and this only from a photographic point of view, but Tora! Tora! Tora! And their Pyro! HOLY SMOKES! It’s an entertaining act but once the siren goes off and the bombing starts, the show line gets absolutely smoked out from the airshow smoke and from the endless pyro shots.

The ugly

The $40 ticket price at the gate! And the muddy parking lots. Luckily, they had a Jeep running around pulling cars and truck out of the mud.

After the show, I was making my way through the crowd to the gate. When I saw a brightly polished metal finished P-51 with a flat black tail. “Can it be? Is It?” I asked myself. And as I quickly walked closer and closer to it, I found my answer. It is Texas Flying Legends newly restored P-51C named “Lope’s Hope 3^rd”. I saw over on the Warbird Information Exchange forum (WIX) that it had made its first flight last week but had no idea that it was here in Houston. AirCorps Aviation did an absolutely amazing job on the restoration. I can’t wait to see more of this Mustang in the years to come.

That night, the plan was to meet up at Twin Peaks for dinner with Steve-O gang. We enjoyed looking at all the eye candy and talked photography as well as airshows. Good times

Sunday

Woke up to fair skies but Mother Nature had something else in store. What’s the staying, “They do everything bigger in Texas”. Mother Nature decided to live up to that Sunday morning with a line of Thunderstorms!

Gate open at 8am but flying does not start until 11am. So, I figure I stay in the hotel until the storm lightens up and then pack up the rental to head over to Ellington field. Besides, I already got rain qualified a few times this season. As the storm passes, I wait until the down pour turns to light rain and head over to the field. I figure, I’ll be better off sitting in the car at the airport when rain ends then in my hotel room.

On my way to the field I stop off at Jack in the Box for some breakfast. I order some food to go and drive over to the field, park and eat while I wait for the weather to clear up. As I’m eating, a car parks next to me on the driver side and I glance over at the car and the driver look familiar. As the weather clear up the drive next to me get out the car, goes to the trunk and starts to gear up. I open the door to my rental and ask the driver, “Are you Ken Cheung?” He replies Yes, I am. I have not seen Ken since way back in the day of Oceana 05 or 06? Ken was a regular on Fence Check. What are odds of him parking beside me? We talked for a good 25 to 30 minutes until Mother Nature started acting up again. So, we retreated into our rental cars. The gates soon opened, we geared up and went in. I gave him one of my cards and he made his way down to the photo pit.

With the show starting late, as everyone was coming in and finding a place to watch the show from, the Coast Guard demo was up and flying. There were a few patchy showers here and there but off to the north, the sky was blue with small puffy clouds. As the coasties demo lands, I felt a disturbance in the Force. It was a squad from 501^st Legion. And you know I had to get a photo was them!

Sunday show had its good points and its low points. Here’s a few of the good points, the passing storm was for some great back drops with the sun was out. The light was sharp and clean along with the low puffy clouds…Awesome. The morning weather add more moisture to the atmosphere. Which means more vapor for Super Hornet. Here’s my images from the Super Hornet high speed pass with vapor cone.

Here’s a link to see it full size

As the show when on, the sun and clouds were continuous playing hide and seek. And I found myself shooting subjects with no light on them. While chimping, it was clear that the subjects shot in shadow were going to be junked. Yes, the shadow detail can be popped out in post process, but they don’t even come close the others shot in nature light. There is no substitute for nature light! So, those aircraft that was flying while the sun was hiding, I am not going to show. I’m not a documentary photography when it comes to airshows. Meaning I’m not trying to get images of everything that was there and what flew and it what order. I’m trying to shoot images unique to me that I can add to my collection over a point of a lifetime.

Sometime during the show Ken text me and wanted to know if I wanted to get dinner after the show. We plan to meet back up at our cars after the show and go from there. Show over and back at the cars, we decide to head off to Outback Steak house. There we reminisced about the “Good old days” of now gone Fence Check. How it was the site to visit to see what other aviation photographer were shooting and where. I had a good time with Ken at dinner and hopefully I run into him sometime during the 2018 season.

Wing Over Houston was a great show for my 2017 Season Finale. It was great seeing and talking to some of my old airshow buddies. Despite the weekends wet weather, I’m really happy with my images. The troubled sky made for a dramatic back drop during the show. Of all the images I shot at Wings over Houston, there are three images that stand out and tells the story of the weekend. I love the sense of location along with the low horizons showing off the vivid background. Each has their own different play with light and shadow. In all three images, each one draws your eyes in, so you can explore all the details and light in the screen. With each of them, I saw the image before I shot it. Heck, I shot one with my iPhone! Three more images to add to my portfolio.

My next post will be my “Best of 2017 Show season” post. Showing all my favorite images from the season along with some thoughts looking back as well as some going forward.

Until next post,

Steven

Using up my Bag of Tricks

Show 6, post 1: Northern Illinois Airshow

On September 9th, I drove over to Waukegan for the Northern Illinois airshow. The home show for Warbird Heritage foundation. I meet up with my good friend and fellow photographer, Rob Wetterholt. It was a great little show with a nice line up of performers along with a well laid out static display. I set out to try again to capture a sense of motion while shooting jets. The weather forecast called for partly cloudy skies in the morning and clearing skies as the day went on. By the time things started flying, the sky was clear and blue. I was a little disappointed about not getting the opportunity to try to do some cloud blurring but it’s Mother Nature, what are you going to do? For this show, I rented the Canon 5DSR again and my old friend, the 400mm F/5.6L. Canon’s 400mm F/5.6L is a hidden gem of a lenses. I bought the 100-400mm MKI and the 400 5.6 at the same time. After shooting both lenses, I was turned off by the softness of the 100-400 and sold it. I shoot the 400 5.6 for years and absolutely fell in love with its clarity and sharpness. Before I sold it and got my 500mm F/4.5, I got comfortable shooting it slow. Like 1/80^thfor takeoff/landing and 1/160^th for flying and getting good constant results. The 400 5.6 is not a low light lenses and does not has image stabilization. But what it is, an amazing light weight sunny day lenses that is easy to shoot handheld. In ideal shooting condition, it’s a joy to shoot. I had my 500mm for about 2 years now and still growing into it. But after returning to the 400 5.6, I’m strongly considering getting it again. I had no problem with shooting it slow again.

Which leads me into the title of this post, “Using up my Bag of Tricks”. After shooting for some time, I have gathered a few techniques that I like to use to help capture images that I see. These are not anything that I myself have come up with but things I use to try to make my images stand out from others. While shooting at the Northern Illinois Airshow, I got the chance to use all my bag of tricks. Which does not happen too often. This post I’m going to share with you my small but slowly growing bag of tricks.

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Shooting slow to get a sense of motion and speed

This is the hardest of my tricks and I’m still trying to master it. It is my favorite way to isolate a subject. With the background blurred out and the subject tack sharp, the result is an image that shows a great sense of speed and motion. Here’s the thing about panning, it is the same if you’re panning an aircraft in flight, a person riding a bike or a race car on the track. Panning is panning, subject does not matter. What does matter is finding a stance and motion that YOU are comfortable with while panning. It is not the same for everybody, what works well for me may not work for you. This may sound dumb but holding your gear properly is a big factor too. While shooting, you HAVE to be stable and smooth while panning. Shooting a telephoto lenses handheld and at a low shutter speed is not easy but with practice, you can master it. Two important things I want to mention. First, whatever lenses you are using, keep your fingers away from the manual focusing ring while shooting. It does not matter if your using auto focus or any other type of focusing, if you turn the manual focusing ring while shooting, it will override any other focusing type resulting in soft and or out of focus images. And second, use a single auto focus point along with continuous tracking and shooting while panning. Do not use all auto focus points along with continuous tracking and shooting while panning. You’re going to confuse the shit out of your camera and will result in soft and out of focus images.

With the 400 5.6, I shot takeoffs/landings from 1/80^thto 1/100^th. Shoot flying subject slow depended on the background to show a sense of motion. During the show, the sky was clear blue and was no reason to shoot slow. But one the Hoppers, flying L-39s did do a very low flat pass that on the bottom of the frame has some blurred tree tops. It is not the sharpest image but you get the idea.

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I went down to 1/30^th (5DSR/400 5.6) on the Skyraider “Bad News” to get a full ark of the propeller as it taxies back to the hot ramp.

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Shooting Low

Or I like to call it, “Doing the Alligator”. Laying on the ground with the camera at ground level, shooting up at your subject. The main problem I have with doing this technique is have a clean and unclutter background. Which at most airshows and aviation events is hard to come by. I have seen this type of shot done with wide angle lenses but I like using something with a bit more reach. Along with, I like to drop the horizon as low as I can and show very little of the ground. Giving the subject a proud stance and a strong presence in the frame. It’s fun to do on a grass field too, shooting through the weeds. You can also use this technique to shoot under airshow fences like this shot from Plames of Fame. Just be careful and mindful of your surroundings. People can and will walk on top of you and your gear.

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Shooting High

Getting up and shooting down on your subjects is something I would like to do more often. There are many ways to do so. Many shows and events have portable stairs alongside aircraft so you can take a peek inside the cockpit, it’s a great location to shoot surrounding aircraft from up high. Another way to photograph aircraft from a higher location is to use a monopod, live view mode and self-timer. I add this technique to my bag of tricks last year at the Planes of Fame show. With my Canon 70D and 70-200mm, I extended all the sections on my monopod, switch to live viewing so I can see what the camera is looking at on the view screen, angled the tile screen down so when I raise the monopod up I can see what I’m trying to shoot. With the camera auto focus drive switched to self-timer 10 secs and in aperture priority @ F/4 to have a high enough shutter speed to not worry about camera shake when the camera is up in the air. Depress the shutter button to start the timer, holding the bottom of the monopod, quickly raise the camera up where I want to shoot. Looking up at the view screen tiled down, compose the shot, hold everything steady and wait for the timer to end. Lower the camera and check the results. It takes some time getting used to but well worth the effort.

Tiling the frame

This is by far the simplest trick in my bag and probably the most controversial. I have found that other either love it or hate it. I love it. I feel it adds visual interest to the subject and maybe some attitude as well. You can also combine this technique with others for even more visual interest.

Trick no# 4?

My newest trick I added to my bag I really don’t know what to call it. It’s showing an aircraft in a series of images. Each image can stand alone but place side by side, you can visualize the whole aircraft. I unconsciously started doing it at the Selfridge show. Just another way for me look at things differently and to see new images. This is something I’m going play with, nurture and make more my own.

Along with the elements of design and my mind’s eye, I feel confident I can capture images unique to me.

To view larger images, click on thumbnails

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Until next post,

Steven

Fun With Statics

Show 5, post 3: Selfridge ANGB Open house and Airshow

My normal routine when I’m at an airshow once I get in is to look around at static and shoot the images I see. Selfridge had a very good static display and I took advance of it. With a 5DSR (I rented from Lenrental.com) and my 70-200mm F/2.8L I started shooting. Seeing the image, finding the edge of the frame, compose, shoot and chimp (recompose and reshoot if necessary) Strangely enough, my favorite shots from the show are of my static images. Yeah, I had two images from my Selfridge experiment I was happy with but that is about it when it comes to the flying. The shooting conditions was only good for a very short time and was strongly backlit for the most of the show.

Shooting statics can be challenging to isolate your subject from ground cluster and other distractions. As I’m shooting, going through my bag of trick, I added a new trick. It’s showing an aircraft in a series of 3 to 4 images. Each image can stand alone but place side by side, you can visualize the whole aircraft. Here’s two series I’m happy with. The first one is the CAG Bird from VFA-143, the “Pukin Dogs”

And the other is an Selfridge A-10 painted in special marking for the 100th Anniversary of the Red Devils of the 107th Fighter Squadron.

What I like to do while shooting statics, is to walk around the ramp, camera at the ready and my head on a swivel, looking around for images. When I do see something, I find what is drawing me in and where are the edges of the image. I’ll adjust the aperture if needed, compose and shoot. Chimping to check composition, exposure and would reshoot if I’m not happy with the result. If I find something that has a lot of visual instead, I’ll start to open my bag of tricks and shoot until I feel satisfied I have captured the subject the way I wanted.

When it comes to what lenses I use, it depends on the subject and where it is. I don’t want to set any kind limits on what focal length to use while shooting statics nor would I say that can only shoot static with a certain focal length either. There is no right or wrong went it comes down to what your mind’s eye sees. The question is do you have the appropriate amount focal length to capture what your eye sees? I have come to enjoy using my 70-200mm F/2.8 for statics. I love how it flattens out the perspective along with zooming tight to isolating details. Heck, 99% of my Selfridge static images was shot using my 70-200mm.

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While walking along the edge of the “hot” ramp, I saw an interesting image. As soon as I saw it, I know it was a 500mm shot. 70-200mm was not enough to get close in and isolate the Mustang and the 35 without too much clutter. Even at 500mm, I knew there would be some post process work to get the shot I wanted. Here’s how it was shot.

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And after some post processing….

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The elements of design are not set in stone and not by any focal length, they are only limited by your imagination and your knowledge of how to use your gear properly.

Click on thumbnails to view larger image!