Capturing Hearts and Clicks: Growing Your Instagram to New Heights

Instagram has exposed more people to my photography than on any other social media platform, forums, blogs, or personal websites. I’m not a professional who does it to earn a living, nor am I an influencer. I’m just a guy who loves capturing photos and sharing them. If you feel the same about your photography, your Instagram account is struggling to get attention, and want it to grow beyond what it is now. I have some proven suggestions that can hopefully transform your Instagram account to get more engagements (likes, comments, saves, and shares) and start to grow your audience to new levels.

Disclaimer: This is not the only way to grow your Instagram account. The information that I will share is based on my experience while using the platform. The process described in this post is an involved and long-term strategy not one of rapid growth. Instagram is a platform that is constantly changing and evolving. The suggestions made in this post may or may not be helpful in growing one’s account in the future. Nobody knows exactly how the Instagram algorithm works, but my knowledge of it is based on my successes and failures. This may or may not work well for you.

Before we begin, there are two things you should consider doing and are crucial for this process to work. First, make sure your account is not private. As long as it is private, its growth will be severely limited. This is because the only people who will ever see your posts are your approved followers and nobody else. The second is to switch your account to professional. It’s free and easy. By switching your account to professional, you now have access to the account’s analytics. A needed and insightful window revealing valuable information such as the number of accounts reached, number of engagements, growth of your followers, and so much more. To switch, go to your settings and privacy > account type and tools > switch to professional. From there, you’ll be asked to select a category that best describes your content which will appear in your bio. Hit continue and boom done.

With that out of the way, I have found five key ingredients for growing one’s Instagram account. Beginning with having sustainable content, next is understanding what your followers like, then posting consistently, most importantly using the right hashtags, and finally having patience. These five things anyone can do and if you start to use them, with time and discipline you’ll see positive growth. Let’s take a closer look at each and unpack them further. 

Let’s begin with having sustainable content, which is directly proportional to your ability to post consistently, which we will discuss later. Here are a few questions worth asking yourself. What do I enjoy doing and sharing? How often do I take pictures of me doing it? And how much content do I have now? The answers to those questions should give you a good indication of how sustainable you can be. Your content doesn’t have to be the most up-to-date images of your work or project either. Take a trip through memory lane and share some of your past travels or projects. You don’t want to run into a situation where you run out of content and start making it just to post something. Which I shouldn’t have to tell you is a bad idea and leads to the dilution of your creativity.

With your body of work, it needs to be accessible from your mobile device when it comes time to post. One solution to this is to have a copy of your photos saved on a cloud-based storage. This way you are not losing or editing your original files. If you don’t have access to any type of cloud-based storage, you can email yourself the images and open the email on your phone to save it. To avoid reposting images, simply remove them from your folder or place of storage once you shared them. Another benefit of this Instagram folder is that you will always have a location to add new photos for future content.

Note I didn’t say good content. Aesthetically speaking, what qualifies as a good photo is subjective and ultimately, it’s up to your followers. And understanding what your followers like is important. From my experience, every time I’ve posted an image that I liked, the results are nowhere near the ones my followers did. It’s not surprising that my tastes are different from those of my followers. And that’s okay, as long as we post images more in line with our follower’s taste and not our own. Over time based on the results of each post, you’ll see what type of content your followers like and dislike.

Posting consistently is the next key ingredient. It is known that the Instagram algorithm promotes accounts of users who post on a regular basis. Along with posting consistently keeps your followers engaged so that they don’t lose interest and look for content somewhere else. So, “What’s a regular basis?” It could be once or twice a day, three or four times a week, or every day. It is up to you to come up with a rhythmic schedule that you can maintain that is not a burden. I don’t know how much spare time you have in your life to tell you how often you should post. Nor do I know how large the body of work you have along with how often you create new content for your account. It is a balancing act, and it is different for everyone. But it is up to you to discover and post to your rhythm.

I would like to share with you my posting schedule only as an example. On Sunday, Tuesday, and Thursday I post a single image on each of my accounts. Then on Saturday, I post a weekly review of my accounts on each to try to cross-pollinate my followers. Here’s my logic for sharing one image versus multiple per post. If I post multiple images in one post, in all likelihood when users come across it, they will look at the series of images, get their fill, and move on. But if I post a single image, they do one of two things. They either move on or go to my profile where they can continue to keep scrolling and liking. This way leads to more engagements which is good for the algorithm. 

The less obvious meaning of posting consistently is of subject matter. Your content should live in a similar space or genre. For instance, if all you post is floral images, don’t out of nowhere post food pics. Those who are browsing flower photos aren’t interested in what you had for dinner last night. I made a similar mistake when I was new to the platform. I posted warbird photos, modern jet fighters, plane spotting shots, and photos of my scale models all on the same account. With my content being all over the place, the growth of my account suffered. This was because those users interested in my warbird photos, had no interest in my scale models or spotting images, and seemed like neither audience had any interest in modern aircraft. However, once I made separate accounts for each focused audience, the growth of each of them is far better than when they were clumped together. It should be clear to your audience what kind of content you are sharing with them.

On to the most important ingredient, using hashtags along with finding the right ones for your content. Let’s briefly explain what hashtags are, how they work on Instagram, and the all-mighty algorithm. Hashtags or tags for short, are the way you are going to distribute your content across the platform. They are words or short phrases that describe specific topics preceded by a # symbol. Each post is allowed up to 5 hashtags (as of December 2025) and can be placed in your post itself or in the first comment. Your tags should be separated with a single space. Like #art #artwork, and not #art#artwork. And make sure there is not a space after the hashtag itself. For example, #love and not # love. It is worth mentioning that posting without hashtags will result in the only people who see your posts are your approved followers and no one else. And the same goes for private accounts, any tags you use in your posts, will not appear in any public hashtag page.

The algorithm will place new content in the feeds of others based on their interest in the hashtags used in posts they liked. Here’s what happens when you post. First, your content will be seen by your followers, and it will appear on the pages of the hashtags you used. Then how the algorithm responds to and promotes your posts is based on the number of engagements (likes, comments, shares, and saves) and how fast it receives them. Hashtags are like little flashing lights in a giant dark room and Instagram is that dark room. The more engagements they get, the brighter they glow and the faster they blink, drawing more and more attention. Posting without them, your throwing photos into the dark void going unnoticed by the algorithm and all who are on the platform. So, my logic is to get the posts in front of as many users as possible and have them get engagements so that the algorithm notices it and starts pushing it out to others.

This doesn’t mean using the most popular hashtags is a good thing. For example, #photography currently has over 1 billion posts, the same goes for #photooftheday, #instagood is sitting at 1.7 billion, and even #photo has 482 million. When you post with hashtags with such crazy high numbers, your photo becomes a tiny needle in an enormous haystack. Think about it, how long would it take for someone to scroll to find your post among millions or billions for that matter? That’s why finding and using the “Right” hashtags for your posts is so critical.

So, what are the “Right” hashtags and how do I find them? They are tags that are focused and relevant to your content where users can find your posts within a reasonable amount of scrolling. Tags that have a minimum of 10K posts and a maximum of 500K. Not too small due to lack of activity and not too large that your post is lost in a massive crowd. To locate the post number in any hashtag, tap the tag, it will take you to its page, and above the “Follow” button you’ll see the post count.

Before we go hunting for hashtags, we’re going to create a premade post to save them. It can be any type of file, just as long as you have access to it on your phone. It can be a note file for iPhone users or Google Keep for Android. Or better yet a Word document, or simply as an email sent to yourself. It could contain a host of information, such as some form of copyright, links to your other Instagram accounts, thanks for looking message, or maybe a call to follow you. But most importantly, your list of “Right” hashtags. This way you don’t have to remember all your tags and don’t have to rewrite them every time you post. You just have to write a brief description of your image and add or remove relevant hashtags. Then copy and paste it into your post. This makes the routine of posting more streamlined and no way of forgetting to add your tags in a separate comment.

Now for the tricky and time-consuming part. Remember, we are looking for hashtags with the number of posts ranging from 10k to 500K and not super popular ones. In your Instagram feed, find a post (not a sponsored one) within the same genre of photography that has a few hundred likes. In the post caption or in its first comment, there you’ll find the post tags.  Check each tag post count and when you discover a tag you want to use, save it in your premade post. Continue farming them until you have about 15 -20 hashtags. This leaves you room for specific tags for locations, brands, makes/models, and so on.

Once you start posting with your set of newly found tags, you should be able to gauge your results on which one’s work and what doesn’t. To gauge how well or how poorly your posts is doing in whatever tags you used, go through each hashtag page to see where your post is on that page. The algorithm ranks each post from most active to least. The higher up a post is on the hashtag page, the better it is doing. Don’t be afraid to add new hashtags that might help you. To clarify, you are adding or removing hashtags in your premade post and not from your post itself. Major editing of your posts such as removing hashtags will flag your account, resulting in a noticeable decrease in reaching users. This is because you lose the engagements from the removed tag. Minor corrections like correcting typos and adding new tags are fine. I’ve noticed as well as others, that the algorithm is sensitive when it comes to editing after posting. That is why it’s a good habit to double and triple check your post before sharing.

The last essential ingredient is patience. Unless you’re a celebrity or a famous public figure, it will take time for your account to gain traction and grow. I’m not going to lie, it’s painfully slow in the beginning. Seeing your post only get 10 or 20 likes while others are getting hundreds. And it is too easy to start comparing your account with others. But comparison is the theft of joy. So, to counter this train of thought, shift your focus and celebrate your accomplishments. Beginning with every time you pass a hundred followers, create a “Thank You” story post and share it. Then celebrate every thousand after that. If a company or brand you tagged reposts or likes your content, share it too. Everyone’s account grows at different rates, just stay engaged and focus on growing your account. Also be patient with the status of your posts. Meaning how well or poorly you think it is doing. Let them marinate for a while, giving them time for users to find and view your post. Something to consider is that people are on Instagram at different times of the day all over the world. Think in terms of days and not hours on how well your post is doing. You must give your account time for it to grow.

Here are a few bonus helpful bits of information that can help with your success. Don’t delete a post. Regardless of how you think it is doing, let it be and wait for your next opportunity to post. By deleting your post, you lose all the engagement it has gained. As well as it’s a negative action on the health of your account from the point of view of the algorithm.

Reply to every comment regardless of how you feel about it. Not all comments are meaningful, thoughtful, or even helpful. The fact is the all-mighty algorithm considers all comments as an engagement. The way I think about it when someone comments on one of my posts, regardless of whether I like it or not, is that my post gets three interactions to help promote it. The first is their comment, the second is me liking it and the third is my thank you response to it. And if it is a comment from an account that I tagged, I’ll pin it. To pin a comment, swipe left on it and tap the pushpin icon. You can pin up to three per post. But when it comes to useless and distasteful comments, my reply is something along the lines of “Thanks for the comment, this will help the algorithm promote this post.”  And if someone’s comments break the Community Guidelines, don’t hesitate to report them.

Tagging other accounts whenever possible, especially larger ones. It’s a great way to get someone’s attention and possibly make connections. When you tag an account, they get a notification saying you tagged them. They could repost your image on their account which would increase your exposure to a larger audience. Remember, just because you tag someone, doesn’t mean they will respond. In my premade post, I keep a list of accounts of companies, brands and organizations I frequently tag.

This one is a very delicate issue, having notifications off or on. There’s no denying that heavy social media activity increases one’s risk for many aspects of poor mental health. And if you’re easily influenced by the negative effects of social media, maybe this one is not for you. It is known that the all mighty algorithm tracks how users interact with their accounts and how turning off notifications can affect how it promotes your content. If you look at it from the point of view of Instagram, notifications are a constant and insidious way to keep people engaged and active on their platform.

I’ve managed to grow each of my accounts far beyond my expectations using these five ingredients. My most successful one is far148studio with over 15K followers and my second best is far148models has over 6000 followers. Both transformed into what they are today by the persistent use of these steps over the past 3 years and there are still growing.

Until next post,

Steven

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Choosing Light over Available Subjects

Albert Einstein said, “Insanity is doing the same thing over and over again and expecting different results.” These wise words are so true even in aviation photography. The repeated attendance of aviation events based on a list of demonstration teams and performers over an event with great lighting conditions is crazy to me. And let’s face it, we go to events to see and experience living breathing aircraft take flight. Shooting static aircraft is really just a matter of waiting for the right time of day. We don’t get to choose what flies or performs in whatever light we want. But we can choose events with better overall lighting conditions. That we choose light over available subjects.

Such stunning light in the late afternoon

In this episode of “Philosophy about Photography”. I want to talk about choosing an event with purpose over subjects of opportunity. After attending countless aviation events over the past 17 years, I’ve become very critical about what show or event I will attend. Just because there’s an event nearby, doesn’t mean I’m going to it. I have a tried and tested trifecta of reasoning for attending an aviation event. For me, it takes great lighting conditions, multiple shooting locations, and subjects I want to see. And having only one doesn’t cut it.

Light and location go hand in hand. The quality of light at an aviation event is directly proportional to your shooting location, show/crowd line, and the path of the Sun. There are numerous other factors that must be considered. Such as, where’s the show/crowd line? And what direction is it facing? Where’s the Sun now? And where will it be later? Does the event cater to photographers? How late can I stay after the show ends? Also, there are events with good light only for part of the day. Wings over Houston for example, the show faces east and at the start of the show, the light is garbage. The good thing is flying tends to start in the late afternoon. The first few acts are backlit but before you know it and for the rest of the show the sun is at your back. NAS Oceana is the exact opposite. The lighting conditions are good until midday and the Sun crosses overhead and then starts backlighting the event just in time for the Blue Angels.

My reasoning behind having multiple shooting locations is, I feel one cannot capture the feeling or present the experiences of a show from one location. There’s just too much going on to show from one point of view. When you do, all your images have the same perspective and tend to look the same. And you quickly lose the interest of your viewers and they either click away to some other interest or continue scrolling past the rest of your photos. My remedy for this stagnation is to shoot the first half of a show in one location and then the second half in another for one-day events. And for multi-day shows, to switch up locations on different days. The results tend to show a more complete picture of the show and I’m able to tell a more complex story with my images.

How many of my sought-after aircraft are supposed to be at one of these well-lit events? I may get to see two or three per show if I’m lucky. But for me, I’m in it for the long game. And with warbirds being my jam, I tend to gravitate towards the larger warbird events like the Planes of Fame air show in Chino California, EAA AirVenture at Oshkosh, and Thunder Over Michigan in Ypsilanti. And even when I make it out to a show with quality light along with the aircraft I want to see, there is still no guarantee that I will add any unique images to my portfolio. Events get canceled, Mother Nature likes to start tripping on show weekends, and unfortunately, accidents happen as well.

Yeah, you can use Lightroom and Photoshop to add filters and layer masks to correct for crappy light. But those images will not be as good as ones shot in superior conditions. And the workflow of processing a set of images from a poorly lit event is tedious and time-consuming. I’ve been there, done that and no thank you. But at least we can pick events that are more in our favor to produce better results.

Thanks for stopping by,

Steven

BE SURE TO CHECK OUT

Philosophy about Photography Part Eight: The Art of Spotting

Quick & easy seamless desktop photo backdrop 

Have you ever wondered how people took pictures of their models with a seamless single-color background? The secret is having a curve in whatever material you are using for a background. And I’m going to show you how to make a simple and inexpensive one. You’re going to need a couple of pieces of foam core or cardboard, a straight edge, an X-Acto blade, a pen, a hot glue gun, some double-sided tape and a solid color sheet of paper. The thicker the better. For mine, I used a Letter size sheet of glossy photo paper. Whatever size you choose, you’ll need to hot glue two pieces of foam core or cardboard at 90 degrees. And to support it as well as keep it from falling back, hot glue two support/legs to the rear of the vertical wall of the backdrop. Now place two strips of double-sided tape to the base. One should be on the edge and the other about 24mm(1in) parallel to it. It is crucial that these two pieces of tape are parallel. As the second piece of tape is where the curve is going to start. If this piece of tape is not parallel and if its wiggly, it’s going to bitch up your background curve. To find the location of the third piece on the vertical wall, hold your piece of paper at the edge of the base and gently flex it into shape. Keep in mind you want to have a flat section before the curve. This section is where you will place your photo subjects. Now mark a line on the vertical wall where your piece of paper ends. Making sure it runs high enough so when you are taking pictures, it will fill the frame. Place the double-sided tape, making sure they’re all straight and parallel to one another. The order in which I removed the backing of the tape was, the two on the base then the one on the vertical wall. Now comes the tricky part. Lift the edge of the paper carefully to remove the backing of the last piece of tape. Don’t flex it too much and put a crease in it. You want to have a seamless defect free curve. Now just setup your lights, put your camera on a tripod and shoot away. I made mine this size so it could easily fit on my workbench so I can take some “In Progress” shots and keep working without making a production out of it. This way I didn’t have to stop what I’m doing, relocate to my so-called “shooting area”, set everything up, shoot, then locate back to the workbench to continue working. You can scale it up to any size to meet your needs. If you go larger, I recommend using something stronger like Gator board or Masonite for the base and vertical wall. Along with styrene or some other sheet plastic for the background curve. And to secure it into position with your favorite two-part epoxy. If you struggle with photographing your models, you may want to look into this post, “Photographing Scale Models”. Hope you found this useful and helpful.

Build what brings you joy,

Steven

Knowing Your Gear

After a couple of refreshing conversations with my Aunt and a close friend about various aspects of photography, it has inspired me to start a new series, “Philosophy about Photography”. A series based on my love of wisdom about the art of photography. Along with my thoughts and ideas that I’ve gathered from my time behind my camera. Let’s kick things off with the importance of knowing your gear.

When people around me see my images and realize I’m a photographer, the most frequent asked question, “Is whatever camera/brand any good?”And after a  bit of Q & A, I could steer them in a reasonable path to a camera that should suit their needs. But now… my answer is totally different. If asked the same question today my response would be, “Heck no, that camera is complete garbage!” Lol The fact is all of them are, if one doesn’t know how to use it properly. Gear doesn’t make one a photographer. In my opinion, one must have a firm understanding of exposure, an eye for what makes a stunning image and lastly know the limitations of his or her gear.

Sadly, I had to dust off my gear for this shot.

So, the obvious question is “How does one get to know their gear?” There’s plenty of ways but I want to share two habits I feel strongly about and use myself. I’ve written about both in the past and feel it’s time to revisit them both. First is to sit down and read the manuals of ALL your gear. Discover and experiment what it can and can not do. Then as frequently as you can, put what you learned into action. And not just once a month or only when you go to some event. Bring your camera everywhere you go as much as possible. Take photos of anything and everything. And don’t be afraid to test out those unused functions and features. Try, fail, learn and repeat. There’s no question, you’re going to fuck up some images. But it’s OK, just as long as you learn from your mistakes. The sooner you get rid of the idea that every image you capture is going to be perfectly exposed, razor sharp and beautifully composed the better off you’ll be.

And the second method I want to share is to develop a shooting routine. One that helps you slow down, focus in on what’s catching your eye and aid in how you’re going to capture an image. Talk to photographers that share their thoughts, knowledge and experience of shooting with you. If they have some form of a routine, try theirs. If it works, cool. If not, change what doesn’t. Heck add whatever that helps you and make it your own. Here’s a link to my shooting routine,

Both of these methods can help you get familiar with the controls and functions of your gear. Forming a muscle memory that allows you to change your settings thoughtlessly and effortlessly. The added benefit of knowing your gear is that it is a huge confidence builder. And having that confidence in yourself behind the camera is not only priceless but necessary as well. Time in time again, you will start to rely on your skills as a photographer and not the luck of spray & pray.

My perception of photography is that it is about creating images that gets people to have some form of an emotional response. Gear is only a tool that allows you to do so. And that’s why I feel it is so important to know how to use them properly. Thankfully the more time you spend behind your camera creating images, the better you’ll get at it. I would love to hear about any habits or practices you all have and use when it comes to knowing your gear. Please share them in the comment section below.

Stay safe and thanks for stopping by,

Steven