Philosophy about Photography

Part one: The Rhythm of Photography

Since I rekindled my love of photography, I’ve discovered it has an all too familiar rhythm. One that has been secretly and deeply embedding itself into my photography over the years but has just lately moved into the light of my passion. Looking back, this unrevealed rhythm has been consistently setting the cadence of creativity and exploration in my imagery. This rhythm I’ve been subconsciously marching to for years has been a driving force behind many aspects of my philosophy of creating unique images. And has spawned numerous adventures as a result along with a multitude of blog posts. This newly unearthed rhythm has 5 key notes starting with Envision, Chase, Capture, Process, and ends with Share. Let’s take a further dive into each.

Envision

It starts with envisioning an idea and setting it as a goal for yourself. It can be as simple as “I want to take some photos of flowers.” Or as complex as “I want to capture the USN Blue Angels sneak pass with a full vapor cone.” It truly doesn’t matter what your subject is or how grand of an idea it is either. You just need to have some direction, just a hint of a loose idea. Whatever you decide, don’t think that it has to be clearly defined with every detail known. Maybe you’re going on holiday, and you want to show a sense of location, or you are trying your eye in a different genre of photography. As long as you are not aimlessly searching for that “Great Shot”. I firmly believe that “Great Shots” begins with an inspiring idea from a creative standpoint and does not just happen. Don’t get it twisted, I’m not saying spontaneity hasn’t produced any mind-blowing images, because it has. But you shouldn’t expect Lady Luck to be waving her magic wand in your direction every time you push the shutter. It’s unrealistic and your results amounts to a waste of time.

Chase

That old saying “Knowing is half the battle” is relevant when it comes to chasing down your images. The knowledge of where and when your subject is available is tremendous. Attributes such as the time of day and or season you want to capture your idea. How you want to light your subject. How often is your subject available and how long will it be around? And being patient with Mother Nature because she loves to start tripping when you need her to behave. Chasing the image in your mind’s eye could take hours, days, or even years to capture. It’s paramount that you don’t lose sight of what you’re trying to accomplish. And it will test your resolve. Having a plentiful supply of vigilance along with an abundance of patience will aid you in mastering the chase. Remember, you will miss every shot you don’t take.

Capture

When the time comes and you see your image about to come to fruition, you must possess a healthy working knowledge of your gear along with an adequate understanding of exposure and composition. Knowing how to change your shutter speed, depth of field, focus point, or any other function without having to look and figure out what button does what. Developing that level of muscle memory only comes with time and experience behind your camera. How you’re going to capture the moment is just as important. What equipment along with what settings to use to successfully capture your idea. Will it require the use of a monopole or tripod, single shot, or continuous shooting to get the best results? Timing is a key factor as well. What amount of time do you have with your subject? You may be attending a multi-day event or just have a half hour with your subject. Regardless, you must make the best use of whatever time is available. Most importantly, how are you feeling? Even the slightest symptom such as headache, congestion, or fatigue can affect how focused you are on your task. Take care of yourself before heading out.

Process

Having an effective post-process routine is necessary for refining your digital images. Knowledge of your post-processing software is crucial, and YouTube, as well as Google, are helpful resources. Whatever software you have, you should know how to import and export your files, maintain a competent understanding of the tools, be able to adjust the exposure, modify the white balance, level the horizon of your photo, and the list of edits goes on and on. A frequently overlooked aspect of post-processing is sorting. Finding that adequate set of images that perfectly expresses your vision. Because the quickest way to lose your viewer’s attention is to show them multiple pictures of the same subject that visually has little to no difference from one another. Finally, file format and location of files are essential as well. Not every platform can recognize the variety of file formats from the multitude of programs.

Share

How you share your imagery along with who you share it with, is equally important. Receiving and learning from non-bias advice is fundamental for us to grow in life as well as with photography. Unfortunately, that doesn’t include family and friends. We all need someone who can offer us honest feedback and not give us sugarcoated responses. And the truth hurts sometimes. But that’s ok as long as we learn something useful from our experiences. On to how you share your photos. Sharing on dead platforms and oversaturated sites is not beneficial for growing your audience and gaining exposure. Knowing how to promote one’s images is not easy and doesn’t happen overnight. This too requires patience and consistency. With the numerous social media platforms, online forums to local photo clubs, there are countless ways to showcase your work and gain exposure.

This rhythm has been a major factor in my growth as a photographer. Relentlessly, pushing me further out of my comfort zone. It’s responsible for developing healthy photographic habits such as coming up with a shooting routine and help with the tedious task of image sorting. Not only has it altered my approach, but it continues to steer my journey into photography to this day. Time and time again, this seasoned rhythm has not failed me in any of my photographic ambitions. If you have been following this blog and reading my posts for any amount of time, you can see all the telltale signs of this rhythm. A prime example is Part Three of my “The Story Behind an Image” series. Where I share how I shot “My 11 Year and 16 Aviation Event Shot”. Each part of this rhythm is clearly shown from beginning to end. And I posted it back in June of 2017, 6 years before I wrote this post.

Until next time,

Steven

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Philosophy about Photography Part Two: The Pain of Sorting

Chasing down a couple of European hotties around Detroit Metro

Since I returned to spotting around DTW, I’ve been shooting from the parking lot of the Marriott Hotel off Wick Road. It’s a well-known and pleasant location for catching arrivals on runway 22 right. But there are two airliners I want to capture that always land on 22 left. The first is Lufthansa 442 from Frankfurt, which is a Boeing 787-9. And the other is Air France 378 out of Paris, she’s an Airbus A350-900. Unfortunately, from the Marriott parking lot, both of these arrivals are just too far away to get a decent shot of. So, I turned to my know-it-all friend, Google. I searched “spotting around DTW” and came across “Spotter guide.net”. To my surprise, I found a location where I could capture arrivals on approach to runway 21 left. From all places, an abandoned gas station at the corner of Middlebelt and Goddard Road.

My Spotting map of DTW

During the extended Easter weekend, I challenged myself to chase these two European girls and get some images of them both. The Lufthansa Dreamliner is going to be first. She’s scheduled to arrive around 1:25pm. During the drive down, was a bit worried about the location. How close is the flight path? Will I get hassled by airport security, local police or some overly nervous passersby? Yes, it happens. I exited I-94 at Middlebelt, headed south and easily found the abandoned station. Was greeted with a good omen, another spotter was already there. I pulled into the derelict station and parked a respectable distance from the spotter so I’m not blocking their view of the flight path. I geared up, camera on, check setting, started up Flightradar24 and start tracking that Lufthansa Dreamliner. I got there about an hour before she was scheduled to arrive. There were a few arrivals before she graced us with her presents. A CRJ, a couple of A320s and a A330 from Amsterdam, all Delta airlines.

It was like a spring southern Californian day in Southeast Michigan, not a cloud in the sky, temperature was in the low 60s and winds were out of the south. As for shooting location, the sun is at your back from sunrise to about 4 or 5ish. By then the sun is parallel to the runway and starts to backlight the arriving flights until sunset. Which I was a bit worried about the lighting conditions for the Air France Airbus. She arrives much later, 6-6:30pm. But soon enough that attractive young lady from Germany was here and I was ready for her. The Canon 90D shutter blasted away like a machine gun as she effortlessly floated through the crystal-clear blue sky.

“The young lady from Germany”

It wasn’t until the following Wednesday that conditions were right for capturing the Air France A350. For her, I busted out my full-frame 50-megapixel Canon 5DSR. Which doesn’t have the advantage of the 1.6 crop factor of the 90D. Which makes my 100-400mm Mk2 when on the 90D into a 160-640mm. As I said earlier, from the abandoned gas station at the time she’s scheduled to arrive, the sun will be on the opposite side of the runway that I’m shooting from and backlighting her as she lands. My plan is to go to the abandoned station about 40 minutes before she arrives and see how the lighting conditions are. If it is manageable, I’ll stay and shoot. But if it sucks, I’ll jump on Google Maps and try to find a place to shoot from with the sun at my back.

I got there early, and the lighting conditions were as I feared, backlit. I shot a few arrivals before jumping into Google Maps. Thankfully, I found a visitor parking lot north of the airport which I would be facing East with the sun behind me but wasn’t sure how close the flight path to 21 left was. With about 20 minutes to spare at the visitor’s lot waiting for the next arriving aircraft. The first thing that passes by is a tiny Embraer Phenom that looks about all of 20 pixels in length through the viewfinder. And my thoughts instantly jumped to do I need to get closer? If so, where can I go? And can I find a new spot before the French A350 gets here? Or do I bite the bullet and go back to the backlit abandoned gas station? FUCK! Thankfully the next three arrivals calmed my racing negative thoughts. A Delta 737, a Frontier A320 Neo and a UPS 757. All filled up the frame more to my liking. Then right on time, that elegant French girl showed up. The 5DSR shoots noticeably slower but I managed to get the shot I was after. I’m going to return with the cropped sensor 90D and see if the extra focal length helps.

“That elegant French girl”

For more of my spotting adventures check out this post, “A Rekindled Passion: Three Spotting Adventures at Detroit Metro”

Thanks for stopping by,

Steven

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